Ben Power’s deft adaptation of Dickens’ sprawling novel emphasises its brilliant characters and eternally relevant themes, but the bleak production and dour music wrestle with one another rather than cohering as a whole
A curiously muted Hemings-and-Jefferson meta-story by Suzan-Lori Parks.
/PRNewswire/ -- Higher credit costs are expected to serve as a modest headwind to U.S. bank earnings this year, according to S&P Global Market Intelligence's
The latest numbers from the IDC have revealed that Samsung has reclaimed their number one position from Apple.
SUV was VW’s most popular vehicle globally last time around, and this one takes some important steps forward
Sir Jim Ratcliffe raced across the capital for Manchester United’s FA Cup semi-final just hours after he ran the London marathon. The 71-year-old set a personal best time of four hours, 30 mi
As train lunches go, it takes some beating. Starting with caviar, the menu moves through trout, lamb, chicken and partridge, asparagus and cheese soufflé, before finishing with puddings.
Vodafone and friends pile pressure on the ECEuropean single market report presses for new ownership and spectrum rulesChinese vendor launches new high-end smar
Exploring Starlink’s prospects of entering the Indian satcom market in light of the recent notification of 100% FDI policy for the space sector.
Salman Rushdie's Knife is a reckoning with his reader, and it is written with resentment, writes Anna Moloney.
On a recent sweat-soaked Sunday night at Coachella, Lupe Fiasco was headlining a raucous Heineken House show, proving there’s plenty of appetite for rap at the festival best known for pop, indie and crossover genres. The hip-hop artist, after wading in on various high-profile public beefs, surprised the capacity crowd by inviting his friend Tyler, the Creator to join him for an impromptu collaboration on Fiasco’s 2008 hit “Paris, Tokyo.” Heineken execs were just as stunned—and thrilled—as...
Writing Thursday morning over at National Review in the Morning Jolt newsletter, senior writer Jim Geraghty went postal on taxpayer-funded National Public Radio (NPR) over its handling of now-former senior business editor Uri Berliner’s bombshell essay for The Free Press meticulously dismantling NPR for its decades of liberal media bias. Geraghty (correctly) stated it’s been “refreshingly honest” to see how “NPR responded to the revelations and accusations of 25-year veteran Uri Berliner” with...