John Krasinski’s new movie is out in cinemas.
Made In England will preach to the choir. However, anyone who considers themselves a bit of a film buff will feast on this celebration.
The story never overstays its welcome and instead unfolds into one of the
"The Blue Angels," a nonfiction film about the Navy's flight demonstration
Reviews for Furiosa: A Mad Max Saga, which has premiered at Cannes Film
Critics agree on one thing: It’s absolutely nuts.
The 2024 Cannes Film Festival is underway with Quentin Dupieux’s The Second Act starring Léa Seydoux and Louis Garrel serving as the opening-night film. This year’s lineup includes major Hollywood premieres like Furiosa: A Mad Max Saga starring Anya Taylor-Joy and Chris Hemsworth, Kevin Costner’s first film of a planned four-part series Horizon: An American […]
The new film from Drive My Car director Ryūsuke Hamaguchi strays from the clean conservationist message that would typically accompany such beautiful cinema of the natural world. by Dom Sinacola At the center of Evil Does Not Exist—the latest narrative feature from Japanese writer-director Ryūsuke Hamaguchi (Drive My Car)—a town hall meeting unfolds. As is the nature of most town hall meetings, the intent is to gather feedback,...
There’s no other film festival as alluring as Cannes, where blockbusters and auteur-driven Oscar hopefuls alike debut for glamorous crowds along the painfully picturesque Croisette. This year, the slate features a number of buzzy premieres, including George Miller’s Mad Max: Fury Road follow-up Furiosa: A Mad Max Saga, Francis Ford Coppola’s long-awaited Megalopolis, and Yorgos Lanthimos’s quirky, starry Kinds of Kindness. Will one of them wind up going as far in the awards race as Anatomy of a...
Filmmaker Elan’s coming-of-age film ‘Star’ has some heartfelt moments and provides ample space for the cast to perform, but there’s a certain dissonance between what the drama wants you to feel and how it goes about it
Set to roll in a cinematic extravaganza, the Cannes Film Festival awaits, where several projects supported by Qatar’s Doha Film Institute will take centre stage. The upcoming Cannes Film Festival
Reviled by the band when it came out and widely thought of as miserable, the film – restored to its original format – actually offers light and insightful momentsThe most surprising thing about the reissue of Let It Be is that it commences with footage shot not in 1969 but last year: an interview between Peter Jackson and the film’s director, Michael Lindsay-Hogg. If nothing else, this suggests that Lindsay-Hogg is a good sport, given that Jackson’s eight-hour 2021 docuseries The Beatles: Get...